Cairo in the 60's, Hollywood in the 80's, London in the 90's...
WITH HUMOR AND NOSTALGIA, NORA REMEMBERS THE BOSPHORUS AND ISTANBUL, PRE-1915 ANATOLIAN SUMMERS, ALEXANDRIA AND ITS PORT, NASSER’S POST REVOLUTION EGYPT, HOLLYWOOD AND ITS FOLLIES, EVEN THE SCOTTISH HIGHLANDS.
NOW, IF SHE COULD ONLY REMEMBER HERSELF..
http://www.google.com/language_toolshl=en Un lien de traduction pour vous aider à lire dans la langue de votre choix. A translation link to help you read in the language of your choice.
Reviews and Audience Appreciation
THE PRESS:
· …written and performed with tremendous energy...great actress… amazingly natural... has great presence.
On Line Review London · …fluid and engaging… Frequently humorous and always humane… a self-penned script that delivers on a number of levels.
The Stage
· An insightful piece of theatre. The lyrical language…reflects
her linguistic talents. Armani manages to fill the stage
and gives an enlightening performance.
Camden New Journal
· …the deft, bedazzling Armani creates textured charactered and substantial momentum…
Los Angles Times
"This is an insightful and sensitive portrait of an Egyptian-Armenian-Hollywood-Parisian world-eye-life with a diasporic identity. Issues of belonging and not belonging, of being and of discovering are brought to life through laughter and tears. Social scientists should consider this to be part of their course - a delightful part."
Eileen Barker, FBA, OBE, Professor of Sociology, LSE (London)
"Masterfully executed by Nora Armani." Georges Sluizer, Film Director, ‘The Vanishing’.
"Some musicians create a full orchestra with just one violin, one cello or one piano. That is what Nora Armani does with her solo piece." Hagop Balian, AYP-FM Radio.
